GOO! (RE: He-Man)

I often site the original He-Man mini-comics that came with the toys as one of the largest influences of my writing career. It's very true. I was five when I was allowed to buy my first He-Man figure and those comics stirred a creativity in me that I had never known before.

...AND NOW THEY'RE ONLINE!!!!!!!!!!!

You must go read them all right now. Then you will want to write fantasy too!

The site is alphabetical. They're better in order of release. Here are the first four when He-Man was more Conan and less television cartoon product:

Reevaluating the Briar Patch

I have--to this point--been consistent regarding my opinion of self-publishing and its relevance to my own career. That opinion has not been very positive. For all the anecdotal examples that are bandied about the internet of self-publishing success, the majority of self-published work (in my own anecdotal exploration) is atrociously bad. Of course it is. There are no quality controls on self-publishing. You write it. You publish it. It's out there. It is only as good as your talent, skill, and editing can make it.

Conceding this front, the "self-publishing is the New Publishing" argument has moved to revenue. I've seen Amanda Hocking's name everywhere, but nowhere have I seen an assessment of the quality of her work, only that she's made a lot of money. And despite some popular blogs claiming that the one proves the other, here in this blog we know that to be a load of crap and will not tolerate the claim during intelligent debate.

Having friends who have already self-published, my pursuit of traditional publication was immediately met with questions of why I just wasn't self-publishing. My assertion (and one I continue to make) is that pursuing traditional publishing makes you a better author. While I've always been the best in any group environments I've participated in (classes, organizations, writing groups), this is the big wide world here and the internet has brought the best together. I am not the cream of that pile. Not yet, at least, but that's where I want to be. Self-publishing offers no hurdles, no comparative challenge for me to improve or a yardstick in which to measure that improvement. I want to query, find an agent, and sell my book preferably at auction because I have improved to the point where my work is something worth arguing over.

There is the persistent briar patch of writing and rejection, however. Writing is subjective, every agent will tell you (often including it in their form rejection). It may not be that your query or your book were bad so much as it was it simply didn't appeal to them. With the dwindling number of fantasy agents out there (not counting urban fantasy because I don't write it), the sample size is incredibly small. If your book doesn't appeal to twenty people, you're pretty much done with that cycle.

At the same time, it's an easy excuse to avoid looking critically at your own work. Was it simply a matter of taste or were you not good enough? Was your query bad? Was your book bad? Are you writing derivative, unoriginal work? Are you cliche? Irrelevant? Contrived?

It is a fine line between losing to subjectivity and losing to not being good enough (a line I find most people miss, opting for the latter scenario rather than the former).

Elsewhere in the briar patch is consistent theme or style. Do you pursue stories that run against the grain in that it could find an audience but has greater difficulty finding an advocate in a diminishing market? Are you simply too outside what is accepted? You see that one a LOT. But does that mean it can't be true? Again, a thorny question with an answer that could be one side of the coin or another.

Self-publishing as a response to rejection is avoidance, I think. The answers could be true that you are good enough and just too far out there but that a market awaits you if you only had a chance. Absolutely. But too many people use those excuses for me to ever make such a claim and actually believe myself.

That brings us back to the Konrath/Hocking Paradigm. Self-publishing as a form of superior revenue generation. There's too much anecdotal argument here for anyone not to cling to whatever argument they want to believe. But given the sheer volume of self-publication, I think if it were the superior money maker across the board, that picture would be clearer to all who looked at it.

There's a but to this. You've known it was coming since my first sentence. My company made an announcement on Thursday, one I don't know was public or internal so I won't repeat it here. Suffice it to say, i've had a long-standing opinion of where publishers needed to go to survive the ePocalypse, forming their own markets and improving author royalties on ebooks. The announcement effectively turned us in the opposite direction.

Now, I'm not running around with my arms above my head saying publishing is doomed. For all its glacial pace publicly, privately publishing moves very fast. New ideas begin and die before they ever come to fruition. Five different strategies for the same solution may begin simultaneously, allowing the strongest to survive. This new direction may not make it out of the year. But if it does, if it becomes the norm, I may throw my hands above my head and start saying publishing is doomed.

This is an important moment in publishing's evolution with powerhouses positioning themselves for the future of the industry. For the first time in the past couple years, this is the first time I've seen one of the big six intentionally adjust its strategy in a way I feel cedes market positioning to a rival.

If it continues down this path, the pressure will cause the company to buckle. Amazon's 70% will represent nearly three times the royalty rate offered by traditional publishers while securing its massive dominance of the book market through digital distribution.

Sure the 70% thing's been going on for awhile, but this new pivot has caused me to sit up and take notice. In addition to becoming a better author, I've been pursuing traditional publishing with the expectation that the industry would win out in the end. This is the first sign that I might have bet on the wrong horse.

As such, for the first time ever, I'm genuinely considering self-publishing as a viable course for my career. I'm still querying agents and pursuing traditional publishing, but I'm open to alternatives. I just have to walk through the briar patch and answer some hard questions.

Big 5-0

Elizabeth Poole has passed 50 followers on her blog, leaving us little 15 subscriber folks in the dust! In celebration of this milestone, she has called for a blog fest! Take your older writing and post it to show what kind of writers we used to be! Now I've lost a lot of my older stuff over the course of repeated moves in my immediate post-college career. You can still listen to my short story "The End of Bliss".

So with that in mind, CONGRATULATIONS LIZ!

I thought I would instead post chapter two from my first completed novel, BLACK MAGIC AND BARBECUE SAUCE. It did not get picked up by an agent because its main character is Poseidon. He's a thief. I'm told this makes the story too much like Percy Jackson. Read the following chapter and tell me if you agree.


October 8, 2006
Cardinals 6, Padres 2

“Penultimate, man! There is no other way to describe it than penultimate!” Cy Lekkas wields a chicken drummie like a scepter, Weck-n-Wings' patented Nuclear Sauce flinging onto the table as if he were anointing it with holy water. The table matches his curly brown hair, most of his face, his St. Louis Cardinals baseball jersey, and his jeans, all of which have been sanctified by barbecue sauce at some point during the night.

The man across from him doesn't mind—or even notice. Beer has been flowing freely for hours and the night is still young. The Cardinals made short work of the Padres and are on their way to the championship series and, barring a spectacular collapse, will be the 2006 World Series champs.

“The St. Louis Cardinals are going to be the 2006 World Series champs!” Cy shouts, raising his drummie high in royal decree. The restaurant erupts in cheers. This might be considered a frustrating disruption to the dinner of non-baseball-watching patrons. Such a consideration is not feasible in St. Louis because there are no non-baseball-watching patrons, not in St. Louis, not in a place like Weck-n-Wings.

Weck-n-Wings is a chicken wing joint. The menu offers salads and shrimp, but the only people that eat those things are ex-employees and people that have no soul. For everyone else, there are wings, drummies, and sixteen different barbecue sauces from mild and sweet to Nuclear, a sauce that has earned its name. And like any good wing joint, there are copious amounts of beer. The walls are covered with big-screen LCDs offering every sport aired on TV: baseball, basketball, football, hockey, cricket, Aussie rugby (Union), and even curling. Curling is unnaturally popular. What space is left on the walls is filled with smaller screens with trivia games. The servers—all female—are the most beautiful, nubile specimens in the city and that is by design.

“If they win the series, I'm going to go to California and have a plastic surgeon implant a womb, right here,” the man says, rubbing his belly. “Then I'm going to go find Pujols, and I'm going to have his baby. I'm going to make love to him right there in the locker room, and I'm going to give him another child.”

“Sweet, sweet man love.” Cy has no idea who the man is, why the baseball star needs another child, or why that child wouldn't be conceived with his wife rather than a stranger, but he's wearing a Cardinals jersey so they are brothers.

“It's not man love if I have a womb,” he rebukes. “I'm going to give him a child. It's special.” The man looks visibly distraught at Cy's obvious lack of regard for the miracle of life.

Cy scrunches his face, pondering the miracle of life through a haze of Budweiser and the heady aroma of Nuclear Sauce—which he notices has dripped all down his forearm. He begins licking it clean as he ponders.

“But how is his semen going to get to your egg? And do eggs come with the womb or do you have to buy those separate? You'll need fallopian tubes. And a vagina. You gotta get the whole nine yards. I'm not sure if I would have a doctor cut off my dick if the Cards win the series.” His eyebrows raise, waiting for all the facts of womb transplantation to sink in. “I like my dick. I like it where it is.” He dries an arm with a napkin.

If he promised to remove his dick if they won—and obviously if they win it would be because he promised to remove his dick—would it be worth it? Which is more important, his dick or the Cardinals winning the series again. “Maybe a testicle. I've got two...”

“Nah, you got it all wrong.” The stranger nods his head authoritatively. “Those California doctors can do anything. You just have em pop off your junk for nine months, give Pujols a baby, then have em pop it back on. I don't think that's unreasonable.”

So which is more important, the uninterrupted presence of his penis or the Cards winning a series? This would take some consideration. Cy sits back at the table and dips his fingers into the tub of Nuclear Sauce then licks them clean. Sure the wings are tossed in sauce before they're served, but never enough. Not enough for Cy, anyway. And if he has to drop a few extra bucks for a mega-side of sauce, it is worth the price.

“Can I get you gentlemen anything else?” the waitress asks. She wears the Weck-n-Wings' black and gold uniform shirt surprisingly free of barbecue sauce with a name tag that says, “Welcome to Weck-n-Wings, I'm K A Y L A.” Long blonde hair, pale skin, and wonderful curves. In the sea of post-season frenzy, she is the lighthouse that reminds these men that there is a world outside of baseball.

“I'm fine. Mother, do you need anything?” Cy asks the man across the table. The guy shakes his head. “We're good, thank you.”

Kayla collects some of the trash from the table. She gives him a “Who is that?” quirked eyebrow. He gives her an “I have no idea” shrug. She gives him a “Look at your shirt!” frown. He gives her a “Who cares? It's the playoffs!” smile. She gives him a “See you tonight” wink, careful that no other patrons see her lest they get the wrong impression.

“I'll bring the check,” she says. “You can pay whenever you're ready.”

Not that he needs to worry about paying. It's theater for the masses. What Kayla cannot give him through her employee perks he wins with the Nuclear Sauce Challenge. He has won every time since the restaurant started the event, much to the dismay of the assistant store manager, Mark Preston. The same store manager that is making a bee line to his table right now.
“Manager Mark, you model of manliness, you paragon of promiscuity, how are you this glorious evening?” Cy slams his fist on the table emphatically. No one notices. They're lost in their own celebrations.

Mark tries and fails to force his expression to unphased neutrality, imitating British austerity. He appears more the butler than manager.

“Mr. Lekkas. How good to see you again. I had only seen you five times this week and I was beginning to worry,” Mark says, ignoring Cy's own salutation. Cy thinks the man should be happy to have such a loyal patron, but given how long it has been since last he paid, he understands the belligerence. “And how is your meal tonight, Mr. Lekkas?” he asks. He looks down his nose at Cy, making his long nose hairs particularly noticeable. Mark runs the multi-million dollar grossing franchise restaurant while Big Mike, the owner/store manager spends his time trying to shag the newest waitress. But his name tag still says, “Welcome to Weck-n-Wings, I'm M A R K,” eliminating any sense of authority.

“Terrific as always, Manager Mark.” Cy licks between his fingers suggestively. Mark's face contorts, as if he had uncomfortable gas. “Terrific game, terrific chicken, terrific service. All in all, I'd say it was superlative.”

“I'm pleased to hear it.”

The two men pause, Cy waiting for Mark and Mark seemingly savoring some delicious bit of knowledge that he has yet to reveal. Cy dips a drummie in his extra sauce, then puts the whole thing into his mouth, pulling it in and out as he sucks it clean. Mark wrinkles his nose and begins to shift his weight from foot to foot.

“I have some news that I believe you'll find relevant, Mr. Lekkas,” Mark says.

“Yes, Manager Mark?” Cy says, extracting the bone and swallowing the chicken in one large, audible gulp.

“Please, it's just Mark. Or Mr. Preston.”

“And important information that was. I'll keep that in mind.” Cy looks to his table-mate only to find the man gone elsewhere. They hadn't actually eaten at the same table but only fell together during the reverie of the Cardinals' victory. The need to piss or some similar demand has drawn him away, leaving Cy alone to revel in his own juvenile humor.

“What? No, that's not what I— that is—”

“Oxygen, man!” Cy shouts, grabbing another wing. “Breathe.”

“Mr. Lekkas, I have received notice from Corporate that we are amending the Nuclear Sauce Challenge. Whereas previously you—any customer was entitled to a free meal if he could eat 18 Nuclear wings, a person is now entitled to only one complimentary meal a month.”

Cy nods, mouth full of chicken. He drinks from his tub of Nuclear Sauce like it was a beverage. Mark's eyes widen and his jaw works, bobbing up and down as he tries to speak.

“Th—this amendment, sir, was effective as of Monday, so you have already received your complimentary meal for the month. I hope it is not an inconvenience to you that you were not informed then.”

“Mark?”

“Yes, Mr. Lekkas?”

“Did you really just say whereas? Whereas, Mark? Really?”

More chicken. More sauce. More jaw bobbing.

“If you are unable to pay for your meal today, sir, we can hold your bus pass or other form of identification while you visit an ATM.”

The insult is not missed. Cy can't help but smile. He's never gotten this much of a rise from Manager Mark before.

“No worries, Mark. Mrs. Poole at the corporate office sent me the notice too. My picture is in the lobby, you know, for having won the Challenge more than anyone else. Seems she's an admirer. She sent me a bunch of gift cards. More are on the way, too. I'm good.”

“She...she—”

Cy stares at the jaw. The thing must be on a hinge the way it just moves up and down like that. It's like the Tin Man from The Wizard of Oz. He wonders if Mark has an oil can in the back office.

Mark turns and walks away without saying anything else.

Cy smiles to himself. He shouldn't derive so much pleasure from haranguing Mark, but he does. And Mark took a jab at him. The man has a stick so far up his ass that he wouldn't take a jab at Evander Holyfield if the two were in a boxing ring.

“Did you see that?” Cy asks, seemingly to no one. The din of the crowd is loud enough that no one hears him or how his voice has changed. It sounds like metal feet of an imbalanced table rocking back and forth.

“I did,” Table answers. “You're taking a risk pushing him like that.” It has no lips, no mouth, no vocal cords, but it Speaks, and Cy understands it. Understands it and Speaks its language.

A fan standing near the table looks over his shoulder. Seeing nothing but Cy sitting covered with Nuclear sauce, he turns back to his party. “This isn't just about you, you know,” Table says.

Cy takes a chicken drummie and swirls it in his extra sauce, placing the mess in his mouth. The hair on his arms stands up as energy courses through his body. He doesn't just hear Table, he hears everything that Speaks in the restaurant. While the other tables, the ceiling, and the walls are all silent, the floor has a lot to say. None of it polite. Cy smiles and purposefully drips a little sauce on the floor.

“Oh, fuck you!” Floor bellows, its voice like squeaky shoes on a wet surface. Cy laughs.

“Antagonizing Manager Mark isn't enough?” says Table. “Now you have to piss off Floor too?”

“No worries. Everything will be okay.” Cy says. If you live long enough, everything is okay eventually.

“For you maybe. But Kayla won't be so fortunate.”

“What about Kayla?” For the first time in the conversation, Table truly has Cy's attention. He grips the side of the table and leans close to it, as if proximity might speed its response.

“Manager Mark was sitting at me yesterday after close. He was saying things. Saying things about Kayla.”

“What things?”

“Never a good sign, my man.” Cy's brother-in-Cardinal-Nation returns, falling back into his chair, knocking over the tub of extra sauce. He gives Cy a critical look, his eyes widening and narrowing as he tries to focus. “You gotta keep your head up or the waitress is gonna cut you off.”

“I'm not drunk,” Cy says irritably, sitting upright.

“No, of course not.” The man gives him a knowing wink. “Me either.”

Cy hears Floor sniggering at him.

“Shut up,” Cy says, sotto voce.

“Gazundtite,” the man says.

Sonny Liston

If you know the name Sonny Liston at all, you know it's the guy on the mat in the famous Mohammed Ali photo. It's one of the most highly recognizable/promoted sports pictures in American sports history. There's Ali talking smack and some boxer on the mat he's just knocked down in the first round. That's Sonny Liston1.

In the world of publishing, you are not Mohammed Ali. You are Sonny Liston. You need to focus on the fight you're in and not think of the fight that comes next. If you're not focused, you'll get an Ali jab to the face that will drop you to the canvas and then they'll publish your humiliation for decades to come.

I submitted a query on Monday. It was a damn fine query. One of the best I've ever written (and while I only have four completed novels, I wrote eight different queries for WANTED alone, so plenty of queries for comparison's sake). I submitted it to an agent that had previously requested a full manuscript. I then started doing wat I always do. I started a new project to take my mind off the wait. But, I skipped back to the completed manuscript. I had rewritten the beginning and wanted to make sure that this new content was as good as it could be. I wanted to make sure they requested a full again and not just sample pages.

Do you see what I did just there? I'm working to make sure they request a full when they haven't even requested sample pages yet. A solid query + a desired genre + previous positive history with the agent summed a presumption that they would want to see more. So thirty hours later when I got a rejection, Ali got me right in the face. I have never had such a strong reaction to rejection as I did yesterday. Why? Because I wasn't focused on the fight I was fighting. I had moved on.

Don't do that. Publishing is hard enough. There are so many steps along the way where someone can tell you that your awesomeness isn't good enough. Put your effort into staying emotionally strong. Learn from their criticism, improve, continue. You need to put the next foot forward and you can't do that if you're lying on the mat getting your picture taken.

This is only one rejection. I still have plenty of other agents who--if they have any sense at all--will want to see my manuscript. ;) There's another fight after this one, and it's time to prepare for that one2.


1 Sonny Liston had a record of 50-4-0 and was world heavyweight champion when he faced Cassius Clay for the first time. The famous photo is from the rematch. Clay had changed his name to Ali, the Nation of Islam was at the height of its national power, and Liston took a considerably light jab in the first round and dropped. The ring ref was so occupied with getting Ali to a neutral corner that he never started the ten-count. It was a sports reporter who informed the ref that Liston had been down for longer than ten seconds that prompted the ref to call the match (even though the rules of boxing require the opponent to be in a neutral corner before the count can begin). Years later, according to Wikipedia, Liston admitted to taking a dive because he was scared of retaliation from the Nation of Islam if he should win.

2 The next fight involves a synopsis. I hate synopses. They just suck the life out of a story.

Sweet, Sweet Crazy

I don't hop on the bandwagon too often, but this was just too much fun not to share. I've seen it a couple places, but Pat at Pat's Fantasy Hotlist convinced me to click and read the comments.

It's best if you read the review (which I think is incredibly fair), but then you have to read the comments. My favorite is the 8th comment. That is the epitome of professionalism. Epitome.

(And if Jacqueline Howett should find my blog, your sentence structure is atrocious.)

Query'd

So I posted a three drafts of the query for JEHOVAH'S HITLIST (twice as primary posts and once as a response). I got some ingenious feedback from Elizabeth Poole following my third draft that took in it a whole new but slightly different direction. I am withholding the final draft until querying has passed and/or my brand spanking new agent says it's cool to post it.

Today I sent out the first query for this manuscript. Hello anxiety, my old friend. I haven't seen you for awhile. Welcome back.

Comments, Questions, Criticisms

We've all seen the blog posts and Tweets by agents of the horrible responses some queriers send them a rejection. It can be fun to rubberneck such responses, watching the car wreck that is that person's nonsexistent career and wonder What were you thinking?

That's a no brainer, though. I assume none of you would think such a reply appropriate, but there's a more subtle trapping that more authors (well-intentioned authors) fall into. Having recently received beta comments for JEHOVAH'S HITLIST, I had to mentaly prepare myself for criticism. It's like running a marathon. You gotta be in shape!. You have to be ready for someone to criticize your work and then thank them for it.

Here is a general rule of thumb: YOU WILL NOT BE PRESENT TO EXPLAIN THINGS TO THE READER. Occasionally a detail might be missed, but for the most part, if your beta reader points out something that didn't make sense, this is not the time to explain it. You missed that chance. Now is the time to fix YOUR mistake.

If your writing cannot communicate what you want it to without further input from you, then it's wrong.

Now, that's easy to accept when reading a blog, but just as easy to forget when receiving criticism. When someone offers constructive feedback, your first response is THANK YOU. They may not be right. They may be. But yours is not to defend your novel but to revise it to be the best that it can be.

So to train for feedback, go through mental exercises. Remind yourself that the goal is to get good feedback not for the beta reader to love your book. You want the world to love your book and an important step toward that is fully accepting and implementing feedback.

I DO NOT NEED YOU TO LOVE MY BOOK. I NEED YOU TO HELP ME MAKE IT BETTER. THANK YOU FOR YOUR COMENTS, QUESTIONS, AND CRITICISMS.

QUERY: JEHOVAH'S HITLIST (another draft)

In September '10, I made a first draft of a query for Jehovah's Hitlist. It's a rule peoples, never go with your first draft. Of anything. Not your novel. Not your query. So I've written a few drafts of JH (and will be doing one more) so it's time to put the nose to the grindstone and get a quality query.

...of course, I suck at queries, so I need your help! Read the below. Help me make it better. PLLLEEEEEAAAAASSSSEEEEEE!!!!!!

Jehovah knows a secret. On Sundays when they parachute down the charity box, he can see where they open the sky to make the drop. First one to the box gets the best charity: ration bars, medicine, ammunition, and what all. Jehovah gets himself real leather boots meant for the Hanged Man with a list of five names stuffed inside.

It lists five people who can lead him up above. He must find them and kill them or the Hanged Man says he will destroy Missouri Avenue. That ain't a threat to take lightly. When the folk on Alaska Avenue betrayed the Hanged Man to the deputies, he pulled himself out the noose and leveled the entire block. He'll do the same again lest Jehovah does what he's told. Go up above and deliver a note for the Hanged Man. Do that and all is forgotten.

That's the dream of everyone in the Nation. Escape the jackals and the marginalized, the spikers and the snake oil addicts to the platform city above. That was Jehovah's mama's dream. She sold him and his brothers to buy her way up and here the Hanged Man was giving him the opportunity. All he need do is kill five people and don't look back. Leave it all behind, friends and family, violence and vice. But at the end of all things when the waters have risen and humanity has fled to the sky above, all one has left is family.

JEHOVAH'S HITLIST (or DOWN BELOW THE UP ABOVE) is a completed 94,000-word adult, dystopian science fiction.

Patapan

The year is 1816. President Benedict Arnold made the Louisiana Purchase from Napoleon Bonaparte thirteen years previous. Defeated at Leipzig and driven from the French throne by the Sixth Coalition, Bonaparte fled to New Orleans. There French loyalists rallied around their emperor. They seceded as a US territory and declared themselves New France (Burgundy?).

Napoleon's army marched northward, following the Mississippi river. Now it approaches Arnold, a Missouri town still loyal to the United States. They prepare to defend themselves, but with Napoleon to the south and Saint Louis to the north, can they hold out long enough for President Jefferson to send troops to save them?

I'm a Back!

Hey ho! I had some roll-over vacation that had to be used by the end of the month and PAX (Penny Arcade Expo) East happened in Boston this past weekend. Serendipty! I gathered some friends and experienced my first video game convention.

This was not my first convention. I love role playing and was actively involved in the RPGA (role playing gamers association), writing adventures, playing games, and even organizing conventions of my own. What I learned this weekend is that I'm an old man. Skipping meals, not drinking water, staying up until 3 in the morning? Yeah, that's a young man's game.

I did have some genuine days off. Most of that time was spent playing Mass Effect/Mass Effect 2 (again, I'm getting ready for Mass Effect 3 to release later this year). I did go out to breakfast and revise JEHOVAH'S HITLIST. I should be done with that draft by the end of the week...just in time for Beta Feedback! Wheeeeeeeeee!

I'm going to write up a full con review for The Way of the Game podcast, so I won't get into it any further. I'll let you know when it's up. Also, if you've never listened to the PodgeCast, I was one of the founding hosts. Though I've been gone for awhile now, this week's episode (#131) was AWESOME. You might not get it if you haven't listened to the show, so the best solution there is to listen to the archives and then listen to 131. I actually laughed out loud. Podcasts are hard pressed to get me to laugh at all, much less out loud.

I'm still kind of worn out. Add in the daylight savings time switch, and I feel pretty jet lagged even though I didn't fly anywhere. I'm also still grinding through emails. 250 down, plenty yet still to go.

So what about you peoples? What kind of hobbies do you partake in when you're not writing?

NOTE: If you have no hobbies to fill time when you're not writing, this is bad. You need more in your life than just work and writing. Find something to do and do it. If you need a primer, I will assign you a hobby. Just comment below.

Do I Still Count?

When was the last time I wrote something original? I'm trying to remember and quite frankly, I can't. I edited the TRIAD SOCIETY then I revised JEHOVAH'S HITLIST then I started rewriting WANTED: CHOSEN ONE and now I'm doing yet another pass on JEHOVAH'S HITLIST. Somewhere in there I wrote six chapters of THE 7TH SACRIFICE but I honestly can't remember when that was. It must have been January because I remember finishing JH right before Christmas.

It's been two months since I wrote something for a brand new story. The last time that happened it was the beginning of '09. It feels weird to have that absence, like I've given up being original and just dwelling on work I've already done. But that can't be, JH is a brand new story! It's never been queried. But I finished it in December. Hell, I should be 2/3 of the way through a new draft of a new story!

This is so outside my normal method of writing that it doesn't feel like I'm writing at all. I write [edit] every day but it doesn't feel like I'm doing anything at all.

The Five As



So after a very direct post telling you to publish for the money, I turn around and say I'm not in publishing for the money. ...okay, I'm not only in publishing for the money, and I doubt you are either. I've been a long-time fan of George Carlin and even got to see him for my birthday in 2001. I prefer his earlier work, that time when he was first really hot, going on Ed Sullivan and Johnny Carson1. He did more intelligent humor and less antagonistic humor, which was the trademark of his '80s and '90s work.

He spoke of his progressive school in some of those early jokes but never the Five As. You have to watch toward the end of the video, but as soon as I saw it, I thought, YES! That is why I am publishing!2

  • Attention
  • Approval
  • Admiration
  • Approbation3
  • Applause


1 I also prefer Johnny Carson from that age. Really, I'm just a sucker for Golden and Silver Age comedy. The straight man/clown dichotomy is the source of my very dry humor. To this day I sometimes have to wave my hand above my head so that my wife knows I'm joking. You can imagine how hard it is for me to be funny over the internet.

2 And much like Carlin, if my mother ever read the kind of stories I wrote, she would only approve of it if the church said she could. She always wanted me to be a priest. ...yeah, that didn't work out so much.

3 And if you actually knew what that word meant or took the time to look it up, yes, one of the five As is the definition for one of the other five As. Carlin was a rebel like that4.

4 According to the wiktionary, approbation and approval have the same general meaning, but approbation is considered stronger and more positive. ...like Carlin's earlier work5

5 See what I did just there? Bring it full circle, baby. That's writing!