Ponderings and Plannings

A side note: I dislike "a novel" being included on a book cover unless the book's title is "a novel." I think it sounds pretentious. In fact, I think it's intentionally pretentious to appeal to that category's audience. I will, at some point, write a story and title it A NOVEL. Fuck your pretension.

So, with the first draft of THE TRIAD SOCIETY complete, I've been pondering the next story in the trilogy, THE RED SOCK SOCIETY. I had a little bit of trouble at the end of TTS because an event I had planned for the main character felt extremely forced. It may get cut out in revision. But if that happens, the event for that same character in TRSS can't happen. One is predicated on the other.

Then I began wondering what story I would tell about him at all. There wasn't a lot there. The character I really wanted to focus on was the unrealized character from TTS, Princess Klara. Until THE TRIAD SOCIETY, I have always included a strong woman in my stories. Never a main character. Not yet (and no, that's not intentional. I write the stories that want to be written. A CIRCLE OF CRIMSON STONE, another ms of mine, has a female main character so just chill on your assumptions).

You see that? Right there? Defensiveness. That makes me nervous. Do I think the story would be better with Klara as the main character because TSS was so short on a worthwhile female? (Sadly, it became a damsel in distress story. My apologies for that.) I don't think so. I think the story will be better this way. But it's a lingering doubt. And doubt can cause problems. It makes you question. It makes you second guess.

...

Crap. That was all leading up to a situation I wanted to write down about something that would happen to Klara in TRSS, but now I've forgotten it. We really need to create a means to record our dreams. I'm losing quality stuff here! I will revise this section if it comes back to me at some point throughout the day.

Poop. :(

Struggling with Voice

As I get older and make a more concerted effort to write professionally, I do not write with the abandon that I did when I was young. A younger me wrote phonetically and with dialects whenever I wanted to express an accent. An older me mentions the accent, but only touches a few key words phonetically. It came from a discussion whether such abstract spellings were the best way to communicate the differences in language. Given that so many of my old stories were the quality of an inexperienced writer, I chose to go the opposite direction.

That's not the only reason. I like to include minorities. I lived in St. Louis city (demographically 66% black) and hung out in areas where I could absorb that kind of culture. Not wholly, of course, but enough I felt comfortable replicating it in words. People seem less willing to accept that, and the further I am away from living in St. Louis, trading it for the predominantly white northeast, I begin to question my own recollection of what was St. Louis living and what was from "The Wire." So, if I avoid using phonetic spelling or dialect, I avoid being called a racist or being laughed at (while they think I'm being racist but don't say it--I hate that one too).

I recently added THE ADVENTURES OF HUCKLEBERRY FINN to my nook. Mark Twain is one of my literary heroes and reading the novel reminded me how much I've given up by not writing my characters speech the way they speak. I've become too scared of criticism, justified it by saying I don't want to support wrong thinking with my writing or that a person just revises the text to what they understand anyway so I'm just adding a step. But when I read the way Huck and Jim speak, I get more than the words. I get the person. I get how they think. What matters. How they process things.

THE TRIAD SOCIETY has a variety of accents, none of which I properly explore. I relegate it to urban being "it is" and rural being "tis," what I feel now is a ridiculous copout.

There is a lot of talk about the author's voice on blogs. Characters and characterization are part of that voice, but not the entirety. What I've found is that why I can maintain the novel's voice during description, I lock up when I express character voice. This needs drastic and immediate attention. Time to write with a little more abandon.

(And call me racist all you want. Go to St. Louis Ave. and Grand on May 1 [the May Day Celebration] and you'll think you've walked into a video. I shit you not.)

(If you're interested in a great people watching place for St. Louis culture, try Captain D's on Kingshighway. It's amazing how much happens at that place--or at least happened when I lived in St. Louis. If you want a darker side of the city that doesn't put you in direct gunfire, head down to the river and follow the tracks. There's some grim living down there.)